Making a comeback: jukeboxes

The BBC has an article by Norman Miller about the resurgence of a long-neglected object:

A British company just unveiled the hottest new machine for vinyl fans: the only brand-new record-playing jukebox available anywhere in the world. Sometimes, in a market like this, there are people who do not like anything new. But it's been welcomed.
It may be an era of summoning songs with a digital flick, but vinyl is back. Younger music fans are discovering not only the warmth and fullness of the vinyl sound but the pleasure of its rituals: browsing a well-designed sleeve; lowering a stylus onto a spinning disc.
With their bold styling and 1950s aura, jukeboxes add extra mystique. But, while vinyl records are still being produced, the jukeboxes that play seven-inch singles are not.
Until now. The hand-built jukebox makers Sound Leisure, based in Leeds in the UK, have just unveiled their first new vinyl jukebox in twenty years. It’s the only new vinyl jukebox available anywhere in the world.
The Rocket Vinyl, which will be produced this summer, takes its moniker from the song Rocket 88 by Jacki Brenston & the Delta Cats, hailed as the first true rock 'n' roll record when it was released in 1951:

 

Sound Leisure, one of only two companies left making classic hand-built jukeboxes in the world (the other is the American firm Rockola), already has a range of CD-playing jukeboxes. Every machine is hand-built and custom-finished; they’ve been sold to clients from Coca-Cola to the estate of Elvis Presley.
In April of 2016, the British Phonographic Industry (BPI) announced UK sales of just over six hundred thousand albums for the first quarter of 2016, a sixty percent rise over the same period in 2015, and the eighth quarterly rise in a row.
But the Rocket Vinyl has generated new levels of interest. There’s a waiting list of people who want to go on the waiting list; dozens of orders, along with fifteen-hundred-dollar deposits (the jukebox will retail for around eight thousand pounds), have been placed from both UK and overseas fans.
“Because we hand-build our products, it's never going to be a mass market,” says Colin Vernon, head of Sound Leisure's Classic Jukeboxes Division. “It could be that we only manufacture between twenty and fifty jukeboxes a year.”
I examined the Rocket Vinyl prototype at Brighton's annual Jukebox & Retro Fair. Around me, jive dancers swing to a live rockabilly band while collectors amass at stalls covered with old vinyl seven-inch singles. A handful of companies are selling restored classic vintage jukeboxes, ranging from a 1958 Bal-Ami S100 for nine thousand dollars to a 1958 AMI I200E for twenty thousand.
“Sometimes, in a market like this there are people who don't like anything new,” Vernon said. “But it's been welcomed.”
The Rocket takes its style cues from machines that popped up in British cafes in the 1950s and 1960s, back when bongos were big and Elvis Presley was jailhouse-rocking:

The big glass front makes a show of the mechanics as vinyl is lifted into place, a contrast to the closed-up domes of colorful old American jukeboxes like the Wurlitzer.
The most expensive jukebox ever sold at auction was a 1942 Wurlitzer model 1950 designed by Paul Fuller, sold by Christie's in their Los Angeles, California auction room in 2001 for $22,325.
But the Rocket combines modern technology with retro style, giving it a far-better sound quality than vintage machines. Vernon points out that audio quality was never meant to be a feature fifty years ago. “Jukeboxes were played in a public environment with a lot of ambient noise, where you couldn't hear the finer points of the music,” he says.
Engineers at Sound Leisure spent three years working out exactly how to make a modern vinyl jukebox. It required uniting the old medium of vinyl with specially-developed modern versions of things that no longer are being made, like stylus cartridges.
If the Rocket is as popular as it sounds, it seems likely Rockola may follow Sound Leisure's lead, producing their own new vinyl model. But Vernon seems unworried. Rather than the US, Sound Leisure focuses their always-small production on the UK, as well as Holland, France, Belgium, and Germany, places where a love of jukeboxes and related cultural crossover were instilled by American troops stationed there after World War Two.
Today's more usual luxury goods consumers, like Russian oligarchs or Chinese billionaires, however, tend to be missing from Sound Leisure’s client list. “Because those countries never had a jukebox culture, they've no relationship with jukeboxes or a nostalgic viewpoint,” says Vernon. “Any sales would be just on the bling factor.”
Every Rocket Vinyl will offer clients a choice of a hundred and forty tracks (that's seventy singles, kids; they've got two sides...). But it doesn’t seem there will be any difficulty sourcing that number of necessary singles: the company can tap into a booming market in original vinyl, and record companies such as the BBC-owned Demon Records offer ready-made collections of re-pressed vinyl from rock 'n' roll to punk.
Vernon says the volume of new pressings of old songs will only increase. “Record companies have never been slow to miss a trick to turn over a buck,” he says wryly. “Lots of young people are now digging into different genres for the first time. It can only be good for music.” Sounds like it’s time to get in line for the new jukebox jive.

Rico says he was never a big fan of the device, but it's nice to know they're still around...