Thames Capsule

Slate has an article by Kristin Hohenadel about a long-lost font:

A feud between founder T.J. Cobden-Sanderson and partner Emery Walker of the Doves Press— whose masterpiece was a five-volume English Bible, printed in Doves Type, circa 1905— culminated in Cobden-Sanderson stealthily hurling the last of the Doves Type letterpress blocks off Hammersmith Bridge into the Thames river in London, England in 1917.
But, in November of 2014, designer Robert Green managed to recover 150 original metal letterpress blocks, with the help of divers from the Port of London Authority, updating a digital facsimile of the typeface he had first issued in 2013, so that Doves Type could live on.
Now Lausanne, Switzerland–based graphic designers Gaël Faure and Raphaël Verona have introduced the Thames Capsule Font Project, a contemporary reinterpretation of the storied font. Verona said in an email that the designers sought to “enhance the original Arts & Crafts qualities of the font, the richness of curves, and the humanistic based shapes,” adding interpretive “wood-cut like details” to honor its early twentieth-century character while updating the overall look. “Our idea was to give this typeface a contemporary flavor, not a romantic one,” Verona said.
For more background about Doves Type and Green’s obsessive quest to rescue it from the depths of the Thames, check out this BBC News report:

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