In 1977, Rob Janoff was handed a lousy pro bono assignment: working for Steve Jobs. “There were many people who said Apple would go bankrupt if they went ahead with the logo,” says Rob Janoff, the graphic designer credited with thinking up the world-famous emblem. Janoff, 57, first met Jobs while working at the Palo Alto, California-based public relations agency named for its owner, Regis McKenna. It was his task to help the sandal-wearing CEO— a good friend of Janoff’s boss— market a makeshift wooden box stuffed with wires, an early prototype of the Apple II.Rico says, in the Zelig aspect of his life, that he worked with Janoff at Regis McKenna many years ago. But it's funny (to those of us who worked at Apple and knew Steve, anyway) that eventually they went to a solid-color (red, then black, and now white) apple after all... (And Jobs was not a 'good friend' of Regis McKenna, his parents (who lived down the road in Los Altos Hills) were.)
“For inspiration, the first thing I did was go to the supermarket, buy a bag of apples and slice them up. I just stared at the wedges for hours,” recalls Janoff. The fruit of his labor: a simple 2-D monochromatic apple, with a healthy bite taken from the right side. Jobs loved the conceit, only he suggested it be more colorful. Janoff’s boss disagreed, insisting the logo be made all black to save on printing costs. “But Jobs was resolute, arguing that color was the key to humanizing the company,” says Janoff. “So I just put colors where I thought they should be, not even thinking about a prism.” What thanks did Janoff, now the owner of his own Chicago-based graphic design firm, get for all his hard work? “Not even a holiday card.”
01 April 2009
Ancient history, back again
Rico says this article was originally written for Sync magazine by Matt Rodbard, about the origination of the Apple logo:
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